In stark contrast to the digital amateurism of so much of contemporary content, this month’s Sight and Sound magazine, takes a look back at the development of the cinematographer, through films beginnings in an analogue age.
Highly regarded amongst cineastes the British Film Institute’s Sight and Sound presents an informative and entertaining cross section of film culture and industry focus.
The April issue presents a focus on the essential craftsmanship of the DoP.
From the revolutionary beginnings of Georges Méliès to the visionary work of Jordan Cronenweth in Ridley Scott’s Blade Runner (1982).
